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Ramon Rodriguez third album after "About Garfunkel "and" Invasion of the Body Snatchers "as well as collections singles, collaborations and cover versions.
It was a great surprise that such a drastic shift has occurred in this project (short and intense), from custom themes, simple and pleasant, with an aesthetic much more decadent, dark and deep. Electric guitars replace the sound, the atmosphere is more introspective and all this comes wrapped in a cool artwork produced by David Elvira .
costs a little more done with the songs, but this process becomes the key point of the work: the listener finds the songs alone and endorses, meeting with his magic and quality. For me personally, I found a great change (a third disc in the same line had been tiring) and I remember especially the still warm corpse Madee. Ramon is locked in the studio for 10 days and each day did not end until they had written a song ... Dogma roll. From this experience I has attracted attention to the theme "Realizing, hyperconscious" for his epic, the first single "Executioner" because from the beginning sounded like Madee, and the tropical "life rules" that could remind Devendra Banhart. It is curious also "Dreaming of death" that has a pretty chorus disturbing.
costs a little more done with the songs, but this process becomes the key point of the work: the listener finds the songs alone and endorses, meeting with his magic and quality. For me personally, I found a great change (a third disc in the same line had been tiring) and I remember especially the still warm corpse Madee. Ramon is locked in the studio for 10 days and each day did not end until they had written a song ... Dogma roll. From this experience I has attracted attention to the theme "Realizing, hyperconscious" for his epic, the first single "Executioner" because from the beginning sounded like Madee, and the tropical "life rules" that could remind Devendra Banhart. It is curious also "Dreaming of death" that has a pretty chorus disturbing.
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