One of the misfortunes of the authors of films is that in addition to the difficulties both in obtaining financing to monetize virtually no critical attention to them except in very rare cases, usually reserved for films that emerged from within the industry itself. It is as if a writer to publish only stories could not be considered as such until they gave birth to a novel. The case is to be celebrated when a short review, wherever it comes from the novelty. In the case of ours, is to thank the blog posting on the Chilean "La Pollera" following the screening of "The wise dumb" at the Festival de Viña del Mar. He says Andres Perez, who is "The wise silent ", a dense and cryptic experimental piece full of symbolism and encodings, a complex language to decipher at first reading. Joining pieces as I could, I would say is a twisted metaphor of individualism in the contemporary world as well as the decline of the old notions of heroism that go into collapse and rupture compared to a bleak world. I guess, because I honestly did not invite the Short to be read clearly. "
agree to admit it's" dense ", even as the" cryptic "but we must recognize that it is precisely the review simple. The more surprising, and hence the immense value of film as language, that its interpretation of the story and its symbols is diametrically opposed to ours, leaving open even more doors to the survival of this film.
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